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RICHARD II – THE KING AND THE
PLAY
Richard II (1367-1400), king of England,
grandson of Edward III and
son of the Black Prince, was born at Bordeux on Jan. 6, 1367. on the Black’s
Prince death in
1377, he became king. Though at first too young to rule, Richard in
1381 showed
skill in dealing with Wat Tyler’s Rebellion and from then onward began
to
assume power.
He
showed extravagance, a difficult
temper, and a liking for favorites, especially the unpopular Robert de
Vare.
Therefore in 1386, his uncle, Thomas of Gloucester, and the Lords
Appellant
defeated and drove out the king’s supporters and installed a noble
council to
control him.
In 1389 Richard threw off their tutelage and for eight
years ruled
modestly and well. In 1397 he was strong enough for his revenge; the
leaders of
the Lords Appellant were seized and tried as traitors, Gloucester was
murdered, Richard arundel was
executed and archbishop Thomas Arundel was banished, and in 1398 the
excuse of
a quarrel was taken to exile Bolingbroke and norfolk.
Richard ruled with absolute authority until May 1399,
when
Bolingbroke landed in England.
The king was defeated, deposed by Parliament, and confined to Pontefract Castle,
where he died on February
14,1400, probably of starvation. Extravagant, violent and
revengeful, yet weak, a patron of literature and a lover of fine
buildings, as
king, Richard never succeeded in winning the affection of his subjects.
Richard II (c.1595), a play by Shakespeare. It is in many
respects
the most original of Shakespeare’s early chronicle plays. Here he
emrges from
the influence of Christofer Marlowe. In spite od the resemblance of the
theme,
the tragic fall of a weak king, to that of Marlowe’s Edward II,
Shakespeare’s
play differs from his predecessor’s in structure, characterization, and
diction.
The action covers a shorter space of time and it’s more
compact; the
lyric flow of the dialogue contrasts strongly with the declamation an
occasional direct dramatic expression of Marlowe. Most important of
all,
Shakespeare’s characterization of his hero is a far more subtle study
than
Marlowe’s portrayal of his vacillating monarch.
The character of Richard, self-indulgent, self pitying,
and blind to
the actualities of life, is brought out by contrast with that of his
opponent,
the hard realist, Bolingbroke. In the end Richard’s fall is due not so
much to
outside forces as to a fatal flaw in his character, and in this
respect, at
least, the play- foreshadows the later and greater tragedies.
Richard II had a special interest for Shakespeare’s
contemporaries,
for Queen Elizabeth fancied thet she might be identified in the popular
mind
with king Richard, and her censors struck out the deposition scene from
printed
copis of the play. On the eve of the revolt of Essex
his supporters bribed Shakespeare’s company to revive the play with the
deposition scene included. For this act they were called before the
Privy
Council.
They managed to prove their innocence of ill intent and
were,
indeed, invited to play at court on the day before Essez’s execution.
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