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THOMAS
HARDY
TESS OF THE D'URBERVILLES
The
greatest representative of the late Victorian literature, Thomas Hardy,
was
among the novelists who marked the transition to XXth century English
and
American fiction. He wrote many novels such as: "Far from the Madding
Crowd", "Jude the Obscure", The Mayor of Casterbridge",
etc.
Tess
of the D'Urbervilles" is regarded as Hardy's tragic masterpiece. It
is
the story of innocence, of Man and Nature, of history and its relation
to the
present, concentrated on the fate of a simple young girl.
Summary
of the novel:
Tess
Durbeyfield is the daughter of a poor farmer, whose life is troubled by
a
minister who once told him he was a descendant of the ancient noble and
rich
family of the D'Urberville. In order to acquire favorable
relationshipps he
sends his daughter as a maid to the house of a family who bears the
surname
D'Urberville with doubtful right to it. Seduced by Alec, the heir of
the
family, Tess gives birth to an illegitimate child who dies in infancy,
after an
improvised midnight
baptism
of its mother. Some time later, while working as a dairy-maid on a
large farm,
Tess becomes engaged to Angel Clare, a clergyman's son. But Tess is
pressed by
her fault, and on their wedding night confesses to him her affair with
Alec.
Angel, who thought of himself as being free of prejudices, proves to be
their
slave. He abandons Tess going to seek his fortune somewhere in Brasil.
Misfortunes and hardships come upon her and her family. An accident
throws her
once more in the path of Alec and she accepts to continue her
relationship with
him. Returning from Brasil, Angel finds her in this situation. Maddened
by this
second wrong Alec had done to her, Tess murders him to liberate
herself. After
a brief period of concealment with Angel Clare, Tess is arrested at Stonehenge, trialed and hanged.
The
conflict of the novel: the
Blind Destiny, the conflict between Man and Nature.
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According to
Hardy, man and woman are
condemned to live in a world that is ruled by universal pitiless laws,
predetermined
by Nature itself. Fatal chance is an invisible force in all the
relationships
of human being, there is the Blind Destiny, the sin which is to revenge
some
day, the merciless laws ignored by the characters who, ultimately, will
be
crushed by them. Man does not accept these rules and becomes a
desperate
fighter. Hence, the tragic fight between man's aspirations and his
possibilities. The fragment presenting Tess and Angel at Stonehenge
is symbolic for the whole novel and for Hardy's philosophy.
Tess
is an elementary nature, with powerful instincts, capable of violent
passions
and infinite devotion. Throughout the novel she is presented as
passive,
obedient and submissive to the laws of nature, of society and of her
own
temperament. She shows a complete acceptance of whatever comes upon
her,
understanding destiny as a law of Universe. That is why she faces
Destiny with
dignity, resignation and grace. She knows that she had disrupted the
equilibrium in Universe, the code of laws and she accepts her fate,
feeling
that order has been re-established.
The scenery - Stonehenge As soon as they
arrive in the presence of Stonehenge
the
realistic level sinks into insignificance. Their stepping into myth is
announced by some classical symbol motifs: their state of ignorance is
suggested by their "groping" around. Gradually, they become
acquainted - through their senses: hearing, touching - with the place
which
they define as "a temple of the winds", and the author defines it as
"the pavilion of the night". The ancient, timeless character
impresses by its firmness. The way architecture influenced Hardy in
depicting
the "pagan temple" can easily be seen. "Feeling sideways they
encountered another tower - like pillar, as square as the first, beyond
it
another and another. The place was all doors and pillars, some
connected above
by continuous architraves." The setting is perfect" a concrete place
with mysterious meaning, the remnant of a very old civilization that
worshipped
nature bringing human sacrifices and thus suggesting the insignificance
of man
in the face of Nature. It becomes the
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place of her punishment and the shrine
of sacrifice and forgiveness. Tess seems caught between the sky and the
earth -
looking like an innocent victim sacrificed to the gods on an altar.
The
chromatic element plays a major
part in the creation of
the dramatic atmosphere. The images connected with darkness, light and
wind
have a definite position in the picture. Time gradually passes from
mere
chronology - midday,
afternoon, 8 o'clock
- to
duration and symbolic time: night march, midnight,
the night wind. Nature is concordant with Tess's state of mind: dark,
with an
impress of reserve, taciturnity and hesitation, cold as the stones. The
coming
of light is the coming of death. The figures of the soldiers appear at
the
first break of dawn. On the other hand, Nature seems to anticipate the
events
that are to come: "Presently the night wind died out, and the quivering
little pools in the cup like hollows of the stones lay still." The
dialogue
is reduced to the minimum, the emphasis lying on the description of the
scenery. We notice metaphors, chromatic epithets, visual images,
gradation -
from night towards dawn, alongside with the gradation of the torments
within
Tess's heart from despair to resignation. In the end, Stonehenge
is in full light, marking the heroine's serenity and peace of mind.
The novel may be considered both a psychologic
one (because it draws a few years in the evolution of the heroine) and
a social
novel at the same time (it is described the condition of peasantry as
well as
the contrast between the latter's life and aristocracy), and perhaps
even a
love story (the story of unhappy love tormented by the absurdities
of life.
Haunted
by fatalism and determinism, Hardy is a tragic writer and illustrates
his
unique humanitarian attitude towards the dramatic struggle between man
and
evil.
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